I hope you are keeping well and wishing you and your loved ones a peaceful Christmas and New Year holiday ☃️ With kind wishes for 2021, Year of the Cow 🐮 よいお年を、ご自愛下さい。 ブレア
Tag archives: drawing & painting
Twisting branches, fading spaces – sumi-e ink painting
I worked outside in the North of Glasgow with my friend artist Margaret Kerr, painting in my large sketchbook a 水墨画 suibokuga ink painting (style is also called sumi-e) of silver birch trees. It was comfy kneeling on my picnic mat with my suzuri inkwell and bowls and fude brushes all laid out, and very […]
Vista painting and punky rocks at Traprain Law
It was peaceful working with artist Margaret Kerr (please have a look at her beautiful and mesmerizing work: @megkerr245 on Instagram) in East Lothian – Margaret kindly invited me over to collaborate, she been practicing a deep creative exploration of Traprain Law and its environment and past. The atmosphere, open spaces and vistas as well […]
Kusen 255 collaboration with John Fraser
Dragons see palaces (heavy rain is falling) In the Mountains and Waters Sutra, Dogen says that when human beings see water, fish and dragons see palaces. He doesn’t say that the fish and dragons are mistaken. He also says that although human beings see mountains as still, they are always walking. Within this ocean, are […]
Happy Valentine’s Day 2020
Kusen
After zazen when we chant the Heart Sutra we are chanting the short condensed version – heart/essence – of the massively longer Great Real Wisdom Perfection Sutras (an early Mahayana work begun around the 1st Century). The Japanese title is Maka hannya haramita shin gyo. What we chant is the most common version chanted in […]
Small sketchbook drawings Ardfern – perception/intuition
flux – interchanging – equalising
Working on a new artist film – Directionless
I’ve been continuing the themes of the Journey to Nowhere series with a second film, called Directionless at the moment, which I have started editing, adjusting clips, cropping, trying out combinations and planning ‘scenes’, though like the previous film there is no clear plot from a to b, nor dialogue at the present. Detached from […]
